“Palestinian director Elia Suleiman continues to relish the minutiae and absurdities of daily life via vignettes of life at home and abroad.”
-Jay Weissberg: Variety

“Another love letter to Palestine from a modern Chaplin.”
– Deborah Yound: The Hollywood Reporter

“The absurdities and visual gags from It Must Be Heaven are the best ones in Suleimann’s path, which make this his better and must funny movie that makes a difference.”
– Kaleem Aftab: Cineropa

“A burlesque tale in which identity, nationality, and belonging are explored. Suleimann poses the question ‘Where can one feel at home?”
– EnFilme

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“Un collage elaborado a partir de imágenes prohibidas, clandestinas y secretas de la guerra en Irak: las que ruedan los soldados y las que ruedan los terroristas. Atentados, sofisticados musicales en las bases aliadas, la preparación de una bomba e incluso discusiones en off sobre la mejor manera de filmar un atentado. Dejando de lado cualquier tentación snuff, Andrizzi mejora a Brian de Palma (Redacted) y demuestra que, nos guste o no, los espectadores somos ya parte del juego.”

– Gonzalo de Pedro, Cahiers du Cinema.