«El cine se ha convertido en mi intento por establecer un diálogo reflexivo y poético con el mundo. A través del lenguaje cinematográfico he encontrado la posibilidad de indagar sobre las emociones y la contradicción humana y plantear preguntas sobre aquello que me inquieta y me conmueve.»
– Laura Mora
«Como mujer, me veo tremendamente intrigada a explorar cinematográficamente esos comportamientos que tienen que ver con la masculinidad, con la condena que significa ser hombre cuando se nace en ciertos contextos, donde irremediablemente ser hombre significa tener que ser violento. Indagar en la necesidad de conquista territorial, observar cómo son esos vínculos entre hombres jóvenes, como salen sus afectos, sus rabias y sus frustraciones.»
– Laura Mora
«En “Los reyes del mundo” veo una posibilidad; aquella de hacer una película que celebre la vida, la de los excluidos, la de los olvidados, los sin tierra, mientras se condena el mundo.»
– Laura Mora
“Laxe uses weather and color as to suggest a transformation just before complete bitterness, and he expresses, amongst all, a question that goes beyond gilt and resides in the misteries of identity”
– Alonso Díaz de la Vega: El Universal
“Few recent movies have such an amazing begining (…) It is Oliver Laxe’s talent (…) a contemplative cinema, but never redundant. Precise in every sequence, with no self-complacent intentions.”
– Javier Ocaña: Diario El País
«Analiza tanto la naturaleza como la naturaleza humana con la misma fascinación (…) Laxe realiza un estudio de un ecosistema que mantiene un equilibrio frágil y lánguido hasta que interviene un imprudente impulso humano.»
“Oliver Laxe’s third feature studies nature and human nature with equal fascination (…) it’s an aptly democratic study of an ecosystem that exists in languid, fragile balance until reckless human impulse intervenes.”
– Guy Lodge: Variety
“Laxe uses weather and color as to suggest a transformation just before complete bitterness, and he expresses, amongst all, a question that goes beyond gilt and resides in the misteries of identity”
– Alonso Díaz de la Vega: El Universal
“Few recent movies have such an amazing begining (…) It is Oliver Laxe’s talent (…) a contemplative cinema, but never redundant. Precise in every sequence, with no self-complacent intentions.”
– Javier Ocaña: Diario El País
«Analiza tanto la naturaleza como la naturaleza humana con la misma fascinación (…) Laxe realiza un estudio de un ecosistema que mantiene un equilibrio frágil y lánguido hasta que interviene un imprudente impulso humano.»
“Oliver Laxe’s third feature studies nature and human nature with equal fascination (…) it’s an aptly democratic study of an ecosystem that exists in languid, fragile balance until reckless human impulse intervenes.”
– Guy Lodge: Variety
“Laxe uses weather and color as to suggest a transformation just before complete bitterness, and he expresses, amongst all, a question that goes beyond gilt and resides in the misteries of identity”
– Alonso Díaz de la Vega: El Universal
“Few recent movies have such an amazing begining (…) It is Oliver Laxe’s talent (…) a contemplative cinema, but never redundant. Precise in every sequence, with no self-complacent intentions.”
– Javier Ocaña: Diario El País
«Analiza tanto la naturaleza como la naturaleza humana con la misma fascinación (…) Laxe realiza un estudio de un ecosistema que mantiene un equilibrio frágil y lánguido hasta que interviene un imprudente impulso humano.»
“Oliver Laxe’s third feature studies nature and human nature with equal fascination (…) it’s an aptly democratic study of an ecosystem that exists in languid, fragile balance until reckless human impulse intervenes.”
– Guy Lodge: Variety
“Laxe uses weather and color as to suggest a transformation just before complete bitterness, and he expresses, amongst all, a question that goes beyond gilt and resides in the misteries of identity”
– Alonso Díaz de la Vega: El Universal
“Few recent movies have such an amazing begining (…) It is Oliver Laxe’s talent (…) a contemplative cinema, but never redundant. Precise in every sequence, with no self-complacent intentions.”
– Javier Ocaña: Diario El País
«Analiza tanto la naturaleza como la naturaleza humana con la misma fascinación (…) Laxe realiza un estudio de un ecosistema que mantiene un equilibrio frágil y lánguido hasta que interviene un imprudente impulso humano.»
“Oliver Laxe’s third feature studies nature and human nature with equal fascination (…) it’s an aptly democratic study of an ecosystem that exists in languid, fragile balance until reckless human impulse intervenes.”
– Guy Lodge: Variety
“Laxe uses weather and color as to suggest a transformation just before complete bitterness, and he expresses, amongst all, a question that goes beyond gilt and resides in the misteries of identity”
– Alonso Díaz de la Vega: El Universal
“Few recent movies have such an amazing begining (…) It is Oliver Laxe’s talent (…) a contemplative cinema, but never redundant. Precise in every sequence, with no self-complacent intentions.”
– Javier Ocaña: Diario El País
«Analiza tanto la naturaleza como la naturaleza humana con la misma fascinación (…) Laxe realiza un estudio de un ecosistema que mantiene un equilibrio frágil y lánguido hasta que interviene un imprudente impulso humano.»
“Oliver Laxe’s third feature studies nature and human nature with equal fascination (…) it’s an aptly democratic study of an ecosystem that exists in languid, fragile balance until reckless human impulse intervenes.”
– Guy Lodge: Variety
“Laxe uses weather and color as to suggest a transformation just before complete bitterness, and he expresses, amongst all, a question that goes beyond gilt and resides in the misteries of identity”
– Alonso Díaz de la Vega: El Universal
“Few recent movies have such an amazing begining (…) It is Oliver Laxe’s talent (…) a contemplative cinema, but never redundant. Precise in every sequence, with no self-complacent intentions.”
– Javier Ocaña: Diario El País
«Analiza tanto la naturaleza como la naturaleza humana con la misma fascinación (…) Laxe realiza un estudio de un ecosistema que mantiene un equilibrio frágil y lánguido hasta que interviene un imprudente impulso humano.»
“Oliver Laxe’s third feature studies nature and human nature with equal fascination (…) it’s an aptly democratic study of an ecosystem that exists in languid, fragile balance until reckless human impulse intervenes.”
– Guy Lodge: Variety
“Laxe uses weather and color as to suggest a transformation just before complete bitterness, and he expresses, amongst all, a question that goes beyond gilt and resides in the misteries of identity”
– Alonso Díaz de la Vega: El Universal
“Few recent movies have such an amazing begining (…) It is Oliver Laxe’s talent (…) a contemplative cinema, but never redundant. Precise in every sequence, with no self-complacent intentions.”
– Javier Ocaña: Diario El País
«Analiza tanto la naturaleza como la naturaleza humana con la misma fascinación (…) Laxe realiza un estudio de un ecosistema que mantiene un equilibrio frágil y lánguido hasta que interviene un imprudente impulso humano.»
“Oliver Laxe’s third feature studies nature and human nature with equal fascination (…) it’s an aptly democratic study of an ecosystem that exists in languid, fragile balance until reckless human impulse intervenes.”
– Guy Lodge: Variety
“Laxe uses weather and color as to suggest a transformation just before complete bitterness, and he expresses, amongst all, a question that goes beyond gilt and resides in the misteries of identity”
– Alonso Díaz de la Vega: El Universal
“Few recent movies have such an amazing begining (…) It is Oliver Laxe’s talent (…) a contemplative cinema, but never redundant. Precise in every sequence, with no self-complacent intentions.”
– Javier Ocaña: Diario El País
«Analiza tanto la naturaleza como la naturaleza humana con la misma fascinación (…) Laxe realiza un estudio de un ecosistema que mantiene un equilibrio frágil y lánguido hasta que interviene un imprudente impulso humano.»
“Oliver Laxe’s third feature studies nature and human nature with equal fascination (…) it’s an aptly democratic study of an ecosystem that exists in languid, fragile balance until reckless human impulse intervenes.”
– Guy Lodge: Variety